Thursday 10 June 2004 at 6.30 p.m. in via Margutta 51/a in some of the former painting and sculpture studios Arte e cinema d’artista. La Scuola di Piazza del Popolo, will be inaugurated the exhibition or, presented by Prof. Maurizio Calvesi, curated by Simona Cresci and Alberto Dambruoso on a project by Fabio Falsaperla.An unprecedented […]
The choice of the collected works is aimed at capturing and illustrating one of the salient moments in the progress of Lombardo’s research and, more generally, of the movement of the so-called “Scuola di Piazza del Popolo”(Angeli, Bignardi, Festa, Fioroni, Kounellis, Lombardo, Mambor, Schifano, Tacchi). The moment in question is when, in the painting of […]
On Friday 27 October 2000, Studio Soligo, La.Ra Arte and Fabio Falsaperla inaugurated Renato Mambor’s exhibition, Ricalcare.The catalogue presents selected texts by Maurizio Calvesi, Germano Celant, SImonetta Lux, Achille Bonito Oliva, and Patrizia Speciale, as well as some writings by the artist that help us retrace his extraordinary career. As Maurizio Calvesi has pointed out: […]
The tide of feelings and colours spread over the huge canvases inexorably advances, submerging the viewer. Alberto Parres has always given his world of strong and complex feelings to those who turn inward to him with abundant generosity. Like a bean seller when he smugly sinks his fingers into the opulent sack of sounding legumes, […]
With the entry into the 20th century, painters’ gazes, which until then had been turned outwards, also turned inwards, there was the birth of abstract painting. Many times, ‘Sho’ is interpreted as a type of abstract painting by Westerners and people from outside the ideogram culture. From the perspective of expressing one’s inner self and […]
Even today, “labelling” is still used to simplify, to identify a genre, a belonging, and little is done instead to analyse and study the phenomena concerning contemporary art. Perhaps out of laziness, out of convenience or, finally, out of conformism. But if I think back today to those 1960s, I see clearly what we were […]